At the heart of my process lies the intricate relationship between bodies and the traumas they can carry. As a survivor of abuse and sexual assault, I've grappled with a sense of disconnection from my own body, as if I am inhabiting a vessel separate from myself. This coping mechanism, once a shield against pain, now serves as inspiration for the works in this exhibition, where sharp anguish is transmuted into still, serene existence in a space where past and present can coexist harmoniously.
My artwork embodies this process of transformation. Biomorphic abstract sculptures in ceramic and felted wool, and oil-on-panel paintings serve as tangible manifestations of this journey. Each sculpture, formed in a palette primarily derived from my own skin tone and bruises, invites viewers to explore the contours of trauma and resilience from all angles.
Throughout my work, I am seeking embodiment through abstraction. Abstraction provides a layer of protection, allowing me to share these totems of trauma publicly. The juxtaposition of apparent accessibility within the sculpture and the bounded, curated nature of the paintings and textiles create an intriguing, almost magical aura – a shared secret for those who linger a bit longer and look a bit closer.
